Home News Alert Decoding the Copyright Conundrum- Who Truly Owns the Rights to Journey’s Iconic Songs-

Decoding the Copyright Conundrum- Who Truly Owns the Rights to Journey’s Iconic Songs-

by liuqiyue

Who owns the rights to Journey songs? This question has been a topic of much debate and legal scrutiny over the years. As one of the most iconic rock bands of all time, Journey has a vast catalog of hit songs that have captivated audiences worldwide. With the band’s rich history and numerous lineup changes, determining the rightful ownership of these songs has become a complex issue.

The rights to Journey songs are divided among various entities, including the band members, their management, and the music publishers. The band itself, consisting of members Steve Perry, Neal Schon, Jonathan Cain, Ross Valory, and Deen Castronovo, holds the rights to their original compositions. However, the band’s songs often feature copyrighted lyrics and music, which are owned by music publishers.

The process of establishing ownership can be traced back to the band’s formation in 1973. Over the years, Journey has undergone several lineup changes, which have also affected the ownership of their songs. For instance, when Steve Perry left the band in 1987, he retained the rights to his original compositions, such as “Don’t Stop Believin’.” Similarly, when Steve Augeri joined the band in 1996, he contributed to the creation of new songs, which would also be subject to shared ownership.

Music publishers play a crucial role in the ownership of Journey songs. These companies purchase the rights to songs from the band members or their estates and then license them to record labels, radio stations, and other media outlets. Some of the key music publishers involved in Journey’s song rights include EMI Music Publishing, Sony/ATV Music Publishing, and Bug Music.

The ownership of Journey songs has also been a subject of legal battles. In 2010, the band filed a lawsuit against former member Steve Perry, claiming that he had failed to provide proper accounting of the royalties generated from his songs. The lawsuit was eventually settled out of court, but it highlighted the complexities involved in determining ownership and royalties.

Moreover, the rights to Journey songs have been further complicated by the band’s contractual agreements with record labels. These agreements often dictate how the songs are used, distributed, and monetized. As a result, the band members, their management, and the music publishers must navigate these contracts to ensure that their interests are protected.

In conclusion, the question of who owns the rights to Journey songs is a multifaceted issue involving the band members, their management, and music publishers. The complexities of the band’s history, lineup changes, and contractual agreements have made it challenging to determine the rightful ownership of these iconic songs. However, as long as Journey continues to captivate audiences with their music, the debate over song ownership will likely remain a topic of interest for fans and industry professionals alike.

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